animals are important

August 29th, 2009 pianist

Trap

chicken trap, 2009, ICZ

I am not saying animal traps and animal experiments in the name of science are a cruel representation of our relationship with nature. In fact, I find these traps and experiments a necessary process and development between our relationship with animals and nature. This may sound ironic but we live in ironic times. I am not an activist and I approach my observations through art.

My friend who worked for one of those ’society of prevention of cruelty to animals’ once told me that he felt the society’s agenda had an objective play on subjectivity and their political agenda was problematic. My friend later moved to Africa and opened up a wildlife hunting ranch. His ranch, along with other hunting ranches, now supports some of the biggest wildlife conservation projects in Africa.

Zoos are important to us today. Zoos must be important because without Zebras in Zoos, my niece might never comprehend the true meaning of the alphabet ‘Z’. She could not remember what Z was for until I brought her to the Singapore Zoo. Now, to her, Z is both for Zoos and Zebras. The idea is not so much that animals are living in un-natural spaces and that they are suffering but rather it has become of one the last ‘refuge’ which animals can still survive alongside humans.

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a desert cockroach

April 13th, 2009 pianist

Tottori Cockroach, Adult Male, 1913 Dr.Dong holding speciemen

 

This Friday, I will be embarking along a trip of a lifetime. After much persuasion and convincing, The Director, Tomo, along with the board of companies, has approved of my trip into the unmarked zone down at the Tottori Sand Dunes, where the amazing cream white cockroaches thrive. Before you go googling them up, don’t. All you will get are white moulted skins of cockroaches found at the back of fridges.

The Tottori Cockroaches is a close relative of the common german cockroach which is found all over the world. They resemble closely to the international pest version but a little tad more sensible in their aesthetic evolution. From what I gather from the Institute’s documents in the 2003 expedition, they have found the cockroaches to be extremely toxic. This is due to their diet. They feed on the roots and leaves of the eastern Juniper which are extremely toxic. The zoologists are not able to figure out if the cockroaches have produced enzymes to detoxify the poisons of the plant, or the cockroaches simply poison their bodies and at the same time preserved their bodies from being eaten in the desert. It appears the enzymes of the poisonous leaves and roots cause the cockroaches to lose their yellow coloration slowly. A younger Tottori cockroach would appear more yellowish then a slightly older cockroach. It is not known if the young is born totally brown and lose their pigmentation as they age.

The origins of how the cockroaches came to be discovered are interesting. The research and re-discovery was one of the promising results of the Institute’s initiative to constantly break the barriers of art and science. One of the first artist in resident, Thomas Horniman, came across a picture of a white Tottori cockroach in the institute’s 200 year old archive in 1999. The photograph showed a white insect being held in the hands of the late Dr.Dong. Thinking nothing of it, he continued to browse through the archives. Thomas became more curious with Dr.Dong’s images as he dug deeper. In 1913, Dr.Dong made numerous trips to the Tottori Desert. As the archive was scattered in bits and pieces, Thomas couldn’t really make up what Dr.Dong was searching for in the desert. There were excavators and diggers all around his photographs. It had never occur to him that Dr.Dong was looking for the Tottori Cockroaches. It appears that Dr.Dong was aware of the presence of the species but had wanted to study the insect in its natural habitat at greater detail. Thomas later made the link with the first image after extensive translation and research was done on the documents.

There are no further documents after 1914 by Dr.Dong, artifacts of even specimens of the Tottori Cockroaches in the archive. Nobody really knew if Dr.Dong found anything from his expeditions.

And that was what Thomas wanted to know, to find out if Dr.Dong found anything more on the Tottori Cockroaches. In 2000, Thomas with 8 other zoologists set out to re-trace Dr.Dong’s expedition.

I had a chat with Thomas over the phone earlier, and he told me at that point of time, he felt like he was an archaeologist and a zoologist who had to remind himself he was an artist. He felt like an archaeologist looking for the forgotten city of Dr.Dong’s excavation grounds. He also felt like a zoologist looking for a lost and mythical creature. He kept in mind that his mission was to present these information and research with an aesthetic treatment different from science.

Thomas and his team manage to re-trace Dr.Dong’s exact excavation sites. It was only to be 2 years later that Thomas managed to capture a pure white adult specimen. Thomas had made 8 trips back to Tottori since his first trip. The reason they took so long to discover the adult speciemen was because whiter adults tend to dig as deep as 2 m below the surface of the ground and come out only very rarely at night and almost never in the day. “You would think that they were white to blend into the sand, but I realize they could also be white because they shun away from the sun for so long.”

A lot of specialized equipment was used to excavate a fully grown white Tottori cockroach from 2m below the sand. It was a lot of trail and error on the team to finally formulate a way to bring the cockroach back to the surface after locating one. 

“We come across smaller and yellow ones throughout the night but we have always hoped to catch a pure white one, like the one in Dr.Dong’s image.” said Thomas. Today, Thomas is still mystified by how Dr.Dong managed to retrieve his Tottori cockroach in 1913. “You would have thought you wanted to share this knowledge and discovery with the rest of the world.” 

And perhaps the unknowability of this discovery shall always stay within the walls of The Institute of Critical Zoologists. Like how all knowledge is created and shared and shaped by science, there are some that will shy away and survive to become myths. The Institute seems perfectly fine that the status of the Tottori cockroaches will remain this way. If you think that this is the decision of the companies funding the Institute to keep this a secret, think again. The decision for this closure was in fact a conscious decision by the directors at the Institute. The directors first weigh if the announcement of the discovery of the species is in anyway beneficial for its current survival as a species. Next they consider if the cockroaches really need to be discovered by humans.

“Seeing that the Tottori Sand Dunes gets trampled by 10am almost every day in the tourist swamped areas, the Institute was convinced that the community at large should not really know about them.” Thomas said that the knowledge was addictive as well. Within 2 months of their discovery of the first adult cockroach, the team dug up 498 others within the region. “Maybe Dr.Dong knew that sometimes an amazing discovery may not necessarily help a species at all, not when they have evolved to elude us humans.” 

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monkey trap

February 19th, 2009 pianist

I was walking by the forest’s edge when I saw that black ball by the field. The black ball itself did not interest me that much, but it was the creation of that context that I was interested in. I wanted to know for whom the  ball was for and who put it there? I knew it was some sort of a trap because of the miserable food scraps within the ball.

Trap Setter with Black Crested Gibbon (Nomascus concolor) Trap

The ball, later turned out to be a monkey trap, an ingenious contraption created by the locals to trap gibbons. There were many versions of this trap before the one I was staring. The igmoks have perfected their trap to the shape of a ball.

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medicinal tigers

May 11th, 2008 pianist

I was speaking to Tako from the institute of critical zoologists earlier this evening, and he told me that the concept of tiger farming reflects a unique situation of our present age. Not only are we living in an era where we, as a civilization, are not able to personally kill our chicken for poultry, but we are also selling our magnificent tigers in order to save it. The situation reflects closely to what is being done in Africa where wild life ranches are being set aside for hunters to kill wild game. The ranches are being set aside for hunting and at the same, preserve wildlife.

from http://www.criticalzoologists.org/projects/medicinal_tigers/medicine_tiger.html

“This proposal is based upon the premise that biodiversity is best preserved by commercialization. Medical farming may possibly be the most positive and widespread economic incentive for the conservation of tigers in Asia.

Maintaining a species survival will be more profitable as a sustainable resource, whether as a spectacle for tourists, coffee for Star Bucks free trade, ingredients for skin lotion, quarry for big-game hunters, or raw material for pharmaceutical firms. Our medicinal tiger farm model closely follows the wildlife ranches in Africa.

In Zimbabwe, to promote the conservation of the wildlife resources found on communal lands, private game reserves have been established where revenues from hunting are paid to local communities. Recreational hunting is now the most positive and widespread economical incentive for the conservation of large mammals in Zimbabwe.

Jeffrey A. McNeely, “Economic Incentives for Conserving Biodiversity:
Lessons for Africa,” Ambio 22 (1993): 147.

Since poachers have decimated the wild tiger population, commercial captive breeding of tigers appears to be smart resource management. Huge financial resources has been allocated for wild tiger preservation to date and the results has been disappointing.”

Posted in General, asia, circus, curios, farms, natural history museum, oddity, spain, zoo | 1 Comment »

tiger father, goat boy

September 18th, 2007 pianist


xiongsen bear and tiger mountain village

 

Brief introduction (as on the leaflet)

Bear & Tiger mountain village is located in Shateng Big Disc, Liangjiang Inte’ l Airport Rd, Guilin, which the landscape is the most beautiful in the world.
With 50o thousand square meters or so, Mountain Village boasts about 1700 tigers including Siberian tiger, South China tiger, Bendadesh tiger and white tiger also 400 black bears and other wild life, such as lions, panthers, snakes, monkeys and birds.
By international fund for the Cherish of Animal and International Association for Protection of Wildlife agreed with, Bear & Tiger Mountain village is the largest base for science research, breading, wildizing, sightseeing and amusement of black bear and tiger in the world.

Grand meeting of bear and tiger : 1100 1610
Theatre of dream : 0930 1440
Wildizing : 1140 1640

We were in the theatre of dreams.

It was the middle of the show. The tigers ended their performance and left the stage, roaring away.

A few men ran onto the stage and starting setting up the obstacles for the next act, it was the tight rope.

We’v seen several tight rope acts through out our trip, from tigers, ostriches to parrots. The tiger acts previously were disturbing, none the less, impressive. There were ( we were told they were trying a tiger act previously for the first time just for us ) 88 siberian tigers roaring in a single unison. It wasn’t a medley of messy gongs. It sounded nothing I could really describe in words. It took the tigers a whole 5 minutes to form up into a circle round the trainer, whom they called ‘tiger father’. Tiger father was shouting, cracking his whip lightly, ushering the tigers into their circular formation. Some were already standing on their hind legs. We could see where this act was going. After the last tiger got onto his hindlegs, there was a sudden stillness in the air.

Tiger father cracked his whip once. None of the tigers stirred. They stood still on their hind legs. He cracked his whip again. Some of the younger tigers mouthed a roar, but still there was silence. Then the 3rd crack came, a sharp one. The 88 tigers roared. They roared in unison, a single roar that lasted about 12 seconds. By the 6th second, I was looking for a possible exit. It was disturbing. You could see everyone face squirming up into a shock. So loud was the roar that I actually wondered if I’ll be blasted away. The chinese couple beside us were hugging each other tightly. The kid behind us started crying. An old lady was shouting but I cant really hear her. It looked like the end of the earth was coming and a comet the shape of a tiger head was crushing towards earth.

I clapped. Tiger father smiled at me and I snapped a few photographs, which annoyed him.

Then came the goat and the boy. We were told the boy was adopted by the goat from a tender age of 3. The boy could speak goat language and the goat looked like it understood him. The show ended with the crawling on all fours out of the stage

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distance

September 7th, 2007 pianist

Siberian Tiger Forest Park, Photo-op, China, 2007

 

 

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